Welcome to the Genomics Forum blog


Based at The University of Edinburgh, the ESRC Genomics Policy and Research Forum is part of the ESRC Genomics Network and pioneers new ways to promote and communicate social research on the contemporary life sciences.

Wednesday, 9 January 2013

Creating space in Science Centers for public discussions about the social aspects of science and technology


by Jameson Wetmore & Ira Bennett - Center for Nanotechnology in Society
Arizona State University, USA

There are approximately 300 science centers in the United States. They range from two room centers in tiny towns to enormous museums in Chicago and Boston. They vary widely from place to place, but typically they have three goals: First, they try to relate basic scientific facts so that the lay public can understand them. Second, they seek to inspire young people to consider science and engineering as a career. And third, they attempt to entertain so that families and children will want to return again and again.

Because science and technology play an ever increasingly important role in our daily lives, there is currently a movement to add a fourth goal to the list.  To be an informed citizen one must not only follow the obvious social issues like taxes, international relations, and heath care, but also the research and technologies that shape our world.  Understanding the big bang theory or the ways that molecules interact might be able to assist in this process, but perhaps even more important is an appreciation of the variety of ways in which science and technology affect communities and vice versa. As science centers are both trusted and one of the few places where the general public actively engage science, they could provide a space for such engagements. 


The Center for Nanotechnology in Society atArizona State University (CNS) and the Nanoscale Informal Science EducationNetwork (NISE Net) have been working together over the past half decade to develop ways for museums to engage the public in discussions about the social implications of nanotechnology. The early part of the collaboration produced nano and society posters, forums, table top demonstrations, scripts, and a Frequently Asked Questions webpage.   The most recent phase of the collaboration has been a series of two day workshops to train museum floor managers in ways to help their staff engage with questions about nanotechnology and society and the public. In September and October these workshops trained a hundred professionals from over fifty different museums.

The workshops were broken up into two primary components. First, they gave museum professionals a basic introduction to the social aspects of science and technology. They were boiled down to three basic ideas: 1. Technologies are a result of and shape values; 2. Technologies affect social relationships; and 3. Technologies cannot be understood as separate from larger systems.

In the early development of the workshops, however, the organizers realized that teaching content went only so far in helping museum professionals grapple with the social aspects of technology. Exhibit interpreters are used to being experts that convey scientific knowledge. But facilitating conversations was not something they were used to. Thus the second component of the workshops was focused on helping participants developing a certain level of comfort with listening to what visitors have to say and giving them space for sharing their ideas.

Our visit to the Genomics Forum in November was largely motivated by a desire to learn how our museum colleagues in Europe are trying to facilitate conversations rather than just serve as a depository of scientific expertise. It gave us a chance to explore the Museum of Scotland’s science exhibits as well as Dynamic Earth. We found museum interpreters who were enthusiastic about engaging the public and developing programs to facilitate conversations. Emma Frow, assistant director of the Forum also helped to organize a half day workshop that brought together a number of public science professionals from Scotland including representatives from the previously mentioned museums as well as Surgeon’s Hall, the Royal Botanic Gardens, and others. We found that there is a sincere commitment to engaging publics in broad conversations at these places and hopefully we were able to offer some constructive examples for continued developments in Scotland.

3 comments:

  1. Wow, Excellent post. This article is really very interesting and effective. I think its must be helpful for us. Thanks for sharing your informative.
    telepathy show

    ReplyDelete
  2. I found myself wonder to read this article. This is pretty impressive and here you have pointed out some superb details. Thanks for sharing this with your readers.
    Personalized Kids Scrubs

    ReplyDelete
  3. Gravestones may be simple upright slabs with semi-circular, rounded, gabled, pointed-arched, pedimental, square or other shaped tops. During the 18th century, they were often decorated with memento mori (symbolic reminders of death) such as skulls or winged skulls, winged cherub heads, heavenly crowns, urns or the picks and shovels of the grave digger. Somewhat unusual were more elaborateallegorical figures, such as Old Father Time, or emblems of trade or status, or even some event from the life of the deceased (particularly how they died). Large tomb chests, false sarcophagi as the actual remains were in the earth below, or smaller coped chests were commonly used by the gentry as a means of commemorating a number of members of the same family. In the 19th century, headstone
    styles became very diverse, ranging from plain to highly decorated, and often using crosses on a base or other shapes differing from the traditional slab. They might be replaced by more elaborately carved markers, such as crosses or angels. Simple curb surrounds, sometimes filled with glass chippings, were popular during the mid-20th century.
    Islamic, headstone are traditionally more a rectangular upright shaft, often topped with a carved topknot symbolic of a turban; but in Western countries more local styles are often used.
    Some form of simple decoration is once more popular. Special emblems on tombstones indicate several familiar themes in many faiths. Some examples are:
    For more information click hare::

    ReplyDelete